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Thérèse Desqueyroux

The final film of French master Claude Miller

François Mauriac’s legendary 1927 novel of French provincial life has been gloriously brought to the screen by the inestimable Claude Miller, who passed away shortly after completing the film. Sumptously photographed to capture the full beauty of the pine-forested Landes area in southwest France, Thérèse Desqueyroux is a beautifully conceived costume melodrama of exquisite taste. Marvellously played by the luminous Audrey Tautou, Thérèse is a heroine hewn from the same stock as Madame Bovary or Anna Karenina, suffocated by her provincial marriage. Thérèse has married less for love than for convenience, but it is not long before the casual disinterest shown her by her arrogant husband, Bernard (Gilles Lellouche), sets her mind in motion. Life is easy at first, as Bernard’s pinewood estates keep them both in the lap of luxury. But when Thérèse’s best friend Anne (Anaïs Demoustier), who also happens to be Bernard’s younger sister, falls madly in love with a handsome young Portuguese man, Thérèse begins to see what she has been missing in her life. Corralled by Bernard’s family into persuading Anne to forego her planned nuptials, she begins to see first-hand the awesome power of passionate love, as Anne will go to any length to keep her lover by her side. Soon, Thérèse begins her own fight against the oppressive Desqueyroux family. Miller makes the novel fully his own, floating his camera through the refined and cushioned rooms of the family’s estate and the magnificent outdoor vistas of the Landes countryside, capturing all the nuances of this battle of wills. But, finally, the film belongs to Tautou, who conveys all the inflections of hurt and pain, love and sorrow, demanded of her. After Amélie, Tautou has found a role that does full justice to her talents. – Piers Handling, Toronto International Film Festival
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Directed by: 
Claude Miller
Running Time: 
French with English Subtitles
Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi
Screenplay by: 
Claude Miller, Natalie Carter Based on the novel by François Mauriac

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